An American in Paris (1951) This 1951 artistic triumph for MGM’s famous Arthur Freed musicals unit – and its star, Gene Kelly – is the style of musical most clearly evoked by La La Land. It’s in the vibrancy and striking yellow/blue lead of the colour palette, the soft focus of the cinematography, the stylised production design – and Chazelle is very clear about the influence of 1950s musicals on La La Land. So keen was he to pay homage to this era of movie making that the opening credits of La La Land announce that it's shot in CinemaScope. This credit first appears in black and white, and then morphs into Technicolor, in equal acknowledgement of our modern era.
The first trailer for Damien Chazelle’s follow-up to Whiplash, La La Land, a musical starring Ryan Gosling and Emma Stone, has hit the web – meaning we now have the first footage of this hotly
February 21, 2017 1:30 pm. "La La Land". From an editing perspective, there couldn’t be two films more different than Damien Chazelle ‘s “ Whiplash ” and his “ La La Land .”. While La La Land: Value of dreams. ‘That’s L.A. They worship everything and value nothing.’. So says Sebastian (Ryan Gosling) as he walks through the Warner Brothers’ back lot with Mia (Emma Stone) in the award-winning new film La La Land. These two star-crossed lovers, drawn together by their shared failures, develop a beautiful and
La La Land's sound team are joined by composer Justin Hurwitz and editor Tom Cross to discuss how they made the BAFTA nominated La La Land.subscribe to Guru
Composed by Justin Hurwitz with lyrics by Benj Pasek and Justin Paul and choreography by Mandy Moore, “Another Day of Sun” opens on the discordant soundscape of the 105/110 interchange into 2v2W5h.
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